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Double the surfaces means double the sounds. Youll have the full range of call sounds you need to get that gobbler in sight with theDouble Up Slate/Glass Pot Call. The slate top allows you to project clear, natural yelps, clucks, cuts, and purrs, while the glass bottom helps you project mid-range sounds on the call. An injection-molded polymer pot means this call is durable, and the Mossy Oak Greenleaf finish will keep you concealed at any range. Condition striking surfaces as needed using the included scouring pads to get your preferred sounds. Check the recommended techniques below and get to calling.

• Two-sided pot call with slate and glass striking surfaces
• Slate top creates natural yelps, clucks, cuts, and purrs
• Glass bottom offers clear, mid-range sounds
• Durable, injection-molded polymer pot
• Included hickory striker and scouring pad

Specifications

• Call type: Pot call
• Surface:
  • Top: Slate
  • Bottom: Glass
• Pot Material: Polymer
• Striker Material: Hickory
• Camo: Mossy Oak Greenleaf
• Includes scouring pad
• Handmade in the U.S.A.
• KHT0236

TECHNIQUE:

For the best results:

1. Make sure the call is appropriately conditioned with the included scouring pad.
2. Hold the call away from your body; cup it between your index finger and thumb.
3. Hold the striker like a pencil at a 70-degree angle to call; rest your other fingers solidly against the call.
4. Apply light pressure from the striker when calling.

For the most consistent pitches and tone, use the upper third of the call. The center of the call produces deeper tones.

• Cackle:Move striker in straight, quick, ” lines, 7 to 10 times.
• Cluck:Move striker very quickly in straight, ” lines using popping motion.
• Cut:Move striker very quickly in straight, ” lines with broken rhythm (ex. 3 notes, 2 notes, 4 notes).
• Purr:Slowly slide striker in a straight, 1″ line across surface. Hold striker higher for more consistent sound. Use scouring pad to create additional friction as needed.
• Yelp:Move striker in a short oval or circular motion in ” lines, producing a two-tone yelp, 5 to 7 times in each sequence.